‘ Lego 2K Drive manages to demonstrate a real sense of personality in a genre that has long been controlled by big, prestigious names. As the game ended, it left me with a beautiful feeling of closure, accompanied by a hankering for cherry-chocolate-flavoured cake and Indonesian food.’ It’s unafraid to just be Indonesian, and trusts you to either roll with it, or Google the words you might not understand.Ī Space for the Unbound only looks pixels deep, but it is a masterpiece for its breadth of storytelling, its authenticity, and how it tackles difficult topics, from cultural expectations to mental health. ‘For being a game inspired by small-town life (specifically Surabaya, where Mojiken Studio resides), A Space for the Unbound doesn’t shy away from its roots, nor does it parade them with overly complicated descriptions and explanations.
Read GamesHub’s A Space for the Unbound Review Kirby, as always, deserves more time in the sun – and this collection is a wonderful ode to my favourite pink blob.’Ī Space for the Unbound Image: Mojiken Studio Return to Dream Land‘s lack of difficulty does dampen some of its more creative ideas, but it remains a colourful, sleek adventure – and one that’s been perfectly adapted, remastered, and expanded for Deluxe. Whether you’re battling oozing beasts, taking the reins of a new heroic adventure, or just trying to swallow eggs, this release has everything you’d want in a Kirby game. ‘While the plethora of disparate modes makes Return to Dream Land Deluxe feel like a stuffed smorgasbord, it’s hard to be put off by more Kirby. Read GamesHub’s Kirby’s Return to Dream Land Review
Kirby’s Return to Dream Land Deluxe Image: HAL Laboratory / Nintendo Like all good sinister stories, by the time you get to the end of the line, you might wish you had never kept going. Enough to keep you going.ĭredge is a masterclass in atmosphere, worldbuilding, tactile mechanics, and game flow. There’s some incredibly tantalising worldbuilding here – your conversations with various townsfolk and inhabitants of the world, as well as the writing that decorates items, events, and things you come across in the world are brief but evocative. The eldritch undertones only lightly brush the surface of the game, leaving enough of a mark to give you a faint sense of what might be going on, but not enough to let you in on the secret, let alone burden you. ‘The undercurrent of Dredge is impressively ominous.
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